That Drifting Poo Was Far Too Symbolic! It's the Television Letdowns of the Year.
As we consider the TV landscape of the past year, a selection of series emerge not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing spin-offs to bafflingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.
And Just Like That
Where to begin with this love/hate follow-up? Plagued with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. Briefly, as the final series started, it seemed as if it had finally found its groove. Then came an episode all about Seemaâs natural deodorant. Little surprise the showrunner announced this would be the last series. It concluded on a bum note; the closeup of Mirandaâs toilet full of poo was simply too symbolic. Still, viewers undeniably had a hoot dissecting every single âwhat on earth?â moment. And as Carrie â once again single â twirled around her palatial townhouse to Barry White, who didnât release a small sob?
The Kim Kardashian Drama
âCan Kim Kardashian act? The answer is a resounding no.â
But that was practically the smallest of this show's problems. The recipient of a exceedingly uncommon no-star assessment, it was difficult to know where to start enumerating the flaws. The laughably wooden dialogue? The tedious veneration of wealth and materialism? The almost wilful procession of tropes? Acting so bad they felt borderline spiteful? Letâs just say âeach and every oneâ and forget about this show again. Except, a second season has been ordered, so weâre likely going to have to.
The Charlie Sheen Documentary
Given the restraining orders, domestic violence allegations and fatherly shortcomings, itâs reasonable to say Charlie Sheen has been a bad boy. Not that youâd truly have known it from this multi-part docuseries which smirked its way at Sheenâs various bouts of self-destructive hedonism while struggling to tell us anything we didnât already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to suffer close contact with this charming but flippant egotist.
The Iris Affair
Of course we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world â or annihilate all of humanity. We stuck with it out of sheer love for its leads ⌠but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe ⌠in painfully slow-motion. Talk about admitting defeat.
MobLand
Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didnât endure the embarrassment of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which felt a bit basic.
The Meghan Markle Series
Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, itâs temptingly tempting to admire the Duchess of Sussexâs televised ventures into twee lifestyle as intentional provocations. But then you watch them and are forced to admit that in this case, they might have a point. Itâs like watching a lifestyle catalogue come to life; a meme for wine oâclock with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting âtipsâ youâll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this three-part series chose not to say them. Instead, the experience was akin to consuming a sales catalogue. She obviously has good reason to resent what she describes as her âsternâ image. But unfortunately, she didnât do herself any helps with this cagey non-event of a series.
The Game Show
It should have been the next cultural phenomenon â except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: itâs even now too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something far greater than it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of celebrity friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be âunevenâ.
Given the smart inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didnât land. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isnât it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.
Prime Target
We admire the star ⌠but did we buy him playing the greatest maths genius since, a man so smart heâs on the brink of a discovery that could destabilise society? Nope! This globe-trotting thriller about government agencies targeting â and killing off â intellectuals honestly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.