‘I absolutely had to rest after that!’ The most gripping episodes of TV you’ve seen
The 2003 Spooks episode I Spy Apocalypse
The show kicks off with the intelligence unit locked down during a training exercise concerning a fictional terrorist event, monitored by two government representatives. As the situation develops, it appears that there really has been an attack and a chemical weapon has been unleashed. The tension ratchets up as reports reveal a catastrophe taking place outside, and escalates when the leader seems contaminated, with the two officials trying to exit, pushing the protagonist portrayed by Matthew Macfadyen to decide between shooting them or permitting their exit and risking contaminating the sealed MI5 offices. As this is Spooks, his decision is predictable.
Threads (1984)
Threads had minimal funding yet among the scariest shows I’ve ever seen because of the stark reality and dismal official figures. Viewed it recently having watched the original; I frequently went to the Sheffield pub shown in the series which emphasised the reality and the casual, straightforward government details that were transmitted. Continuing to be utterly horrifying after three and a half decades.
Severance – The We We Are from 2022
The first season finale of Severance deserves a top spot as a tense chapter. I was throughout the episode quite literally on the edge of my seat, exerting with Dylan to hold the switches that kept the Innies on overtime, while shouting to the Innies to reveal their realities. The final climactic moment – “she survives!” – felt like an explosion.
The 2024 Industry episode White Mischief
Installment five in Industry’s third series had my heart racing. I needed to stop and stand and exit the space repeatedly owing to the vast degree of the reckless self-harm I observed. Rishi Ramdani faces serious trouble in his job and domestic life – overwhelmed by debt to loan sharks owing to his uncontrollable gaming, assuming hazardous chances on a wager involving sterling which could lose his company millions. Naturally, he embarks on a betting frenzy, does tons of drugs and drink and experiences wins and losses, gets beaten to a pulp. Every time you think it can’t get any worse, it deteriorates. There’s hope of redemption at the end of the episode but he misses the opening, resulting in dreadful effects in the season finale. Certainly required a rest afterward!
The 2007 Peep Show episode Holiday
Peep Show is not inherently a tense series. Yet the installment Holiday features such degrees of awkwardness that it’ll have you standing up the whole episode, filled with nervousness. It all ramps up as Jeremy and Mark discover needing to deceive regarding the dog they by chance collide with and following tries to eliminate it. You then spend the rest of the episode questioning whether it truly can be worse than incineration, and it can be!
The West Wing – The Two Cathedrals from 2001
Nothing I’ve watched has been more intense as when I first saw the concluding episode of The West Wing’s second season. The installment begins with the consequences of the demise (in a car crash) of the president’s personal secretary and builds to a peak with a situation in Haiti, and the fallout from the non-disclosure of the president’s MS diagnosis, with confirmation of his intention to run for another term. Wonderful television. Unsurpassed.
Bodyguard – episode one from 2018
The beginning of the UK show Bodyguard, featuring the main character on a train accompanied by his small son, is for me one of the most intense episodes ever. He spots a Muslim woman entering the restroom and senses something is wrong. The bomb diffuser experts are called, enter the train, and attempt to convince the woman to take off her suicide vest. Suspense rises to a practically unendurable point, until yes, the vest is diffused.
Buffy the Vampire Slayer – The Body (2001)
Buffy enters her house to realize her mom has deceased of natural causes, which is the least common kind of passing in this mystical program. The show features no musical score, a somber mood, and we witness the episode via the perspective of Buffy’s dismay upon uncovering her mother.
The Sopranos – Made in America (2007)
The concluding moment of the last installment of the show was pants-wettingly tense. And for those who saw it during its initial broadcast, you – initially – were uncertain of the reason. Tony’s adversaries, actual and perceived, were all vanquished. Doesn’t this resemble the season one conclusion? “Recall the minor details.” However, the vibe is oddly threatening. Nearly Twin Peaks-like fear. The clan sits in an eatery. Meadow stops the car. Tony sorrowfully notifies Carmela difficulties are arising with another member of his team working with the government. Meadow parks. Unfamiliar individuals come into the diner. Look at Tony(?) Meadow is parking. Tony selects a song on the jukebox. Meadow parks her car. The bell rings, someone enters the restaurant. It isn’t Meadow, she remains parking. Tony looks up. Don’t stop. It halts. My heart dropped from my mouth roughly 20 minutes after.
The Walking Dead – The Last Day on Earth from 2016
I remained awake to view this installment at 2am. It was extremely gripping following the introduction of villain Negan finding the group, savagely teasing his prey then not knowing who he killed (ended on a cliffhanger). The first-person perspective of the victim and the subdued noises – ugh! {We then had to wait for season seven|We then needed to await season